Discover historical illustrations by subject, artist and book.
Creation and rebellion in Blake’s illuminated plates.
Norwegian fairy tales illustrated by Kay Nielsen.
Four colour drawings from a 1908 Gnostic text.
From the dark wood to Paradise with Gustave Doré.
Ethelwynne Quail’s visions of the spirit world.
Art Deco studies of fear by John Vassos.
68 illustrations
Edward Kelley and a companion stand inside a ritual circle while a shrouded figure appears in a moonlit churchyard.
A sharply pointed blue form is paired with a broad fan of light spreading from a blue base.
Two contrasting shapes give jealousy a watchful and an angry form in Besant and Leadbeater's visual vocabulary.
A leaf-like form and a six-armed star illustrate attempts to direct benevolent thought beyond a single person.
Interlaced triangles and a five-pointed star give two different conceptions of divine order a geometric form.
Flame and architecture frame Hanuman’s swift movement through Lanka.
Mazumdar gives the descent of Ganga the stillness of a close portrait.
The winged observer stands at the right beneath spreading branches, looking towards the garden below.
A tall central figure stands between two semicircular fields of radiating lines.
A young woman appears within a spreading patterned garment, with a curved object to the right and flowing ornaments along the base.
A rider is caught beneath the branches of a large tree as another armed figure approaches below.
Seven circular emblems surround a central field of Greek and Hebrew lettering.
A fierce face with a projecting tongue fills the upper half of the orange-red plate.
A veiled female figure faces forward against a dark rectangular field, with pale drapery spreading around the head and shoulders.
A seated man leans towards a reclining woman beneath a spreading tree.
Several small drawings compare the shape and movement of the thumb.
Two elongated figures mirror one another beneath the author’s name.
A winged, bearded figure with raised weapons confronts a lion-headed winged creature.
A crowned rider reaches towards the neck of a pale horse as cloud-like forms gather around the animal's legs.
A spotted cat crouches between rocks while Dante draws back on the higher ground; a distant landscape opens beyond the obstruction.
Two robed figures stand close together under spreading branches, with a pale strip of distant sky visible beyond them.
Two small travellers proceed into a deep wooded corridor between rough trunks and pale exposed roots.
Two richly dressed readers sit close together beside a tall window, a book resting near them as one leans toward the other.
A seated Osiris faces a royal figure accompanied by the falcon-headed Horus, with a standing goddess at the opposite side.
A crowned, many-armed Indra sits on an elaborately dressed elephant beneath spreading trees.
Robert Burns wears a high collar and a loosely gathered neckcloth in a small printed portrait.
A great dark wave rises in a smooth arc above a small cluster of buildings.
Alfred Smedley turns slightly to one side, his long white beard spreading over a dark jacket.
Names and planetary symbols cover a large open palm.
Nine small diagrams compare spots, sister lines, forked endings and tangled endings.
A traveller holds a lamp while following a woman across a dark landscape.
Two fantastic heads are stacked vertically, their beards and hair spreading into long sweeping points.
Two closely aligned profile heads face an open magazine with a printed contents page.
An armoured rider pauses beneath a spreading tree above a fallen knight.
Animal outlines and serpentine forms fill Plate II, accompanied by small human figures and letter-like devices.
A long-bearded figure holds a lion close against his body while a curved implement hangs from the other hand.
Human and hybrid figures grapple with animals across a narrow horizontal relief.
Three views record different surfaces of a single elongated inscribed monument.
An irregular stone bears a circular sign, paired coils, angular devices and linked discs.
Compact geometric and figurative marks fill three horizontal compartments on a rectangular tablet.
A bow-bearing figure occupies the left side of an irregular fragment beside a large wheel-like field of intersecting lines.
Standing worshippers face an elevated seated figure beside a small fire in a shaded outdoor setting.
Figures, signs and circular forms occupy bordered compartments in a tall manuscript reproduction.
A seated, reclining man occupies the lower left of a verse border, facing a vessel whose smoke rises into a crowded field of small faces.
A small cross hovers over a pale blue face, with fine blue lines spreading into the yellow space around it.
A winged Saint Michael raises a long weapon while pressing a foot upon a fallen adversary.
A woman and two children gather beside a grave beneath the spreading branches of a tree.
An older seated woman attends to a child while several family members gather around them.
48 of 68 shown