Discover historical illustrations by subject, artist and book.
Creation and rebellion in Blake’s illuminated plates.
Norwegian fairy tales illustrated by Kay Nielsen.
Four colour drawings from a 1908 Gnostic text.
From the dark wood to Paradise with Gustave Doré.
Ethelwynne Quail’s visions of the spirit world.
Art Deco studies of fear by John Vassos.
44 illustrations
Badoura looks toward the harbour while ruling the Ebony Isles under Camaralzaman's identity.
Working in an elderly gardener's plot, Camaralzaman sees one bird kill another and watches other birds bury the victim and punish its attacker.
Nine circular designs combine geometric figures, lettering and monograms.
A radiant triangle inscribed Jeova fills one circular design; a square and central solar form organise the other.
A flowering stem occupies a diamond inside a square, with letters and small emblems in the surrounding compartments.
During the journey to Camaralzaman's homeland, the prince discovers a red inscribed stone tied into Badoura's girdle while she sleeps.
At Badoura's command, the ship's captain returns to seize Camaralzaman and bring him to the Ebony Isles.
A four-armed figure stands on an oval base between a horned animal and a striped feline.
Twelve numbered zodiac designs combine animals, figures and objects with polished gem settings.
A numbered arrangement brings together an encircling serpent, sacred feet, a vajra, small seated figures, a swastika emblem and floral pendants.
A tortoise and fish appear above a seated smiling figure, a dragon device, a triple-bladed charm and objects hung from cords.
Three ankh forms open a numbered arrangement that also includes a long sistrum, small standing deity figures and simple geometric pendants.
Tall layered pillars stand beside small figure pendants, vessel-like forms and looped knots.
A scarab and winged scarab occupy the top of a numbered plate above eye emblems, slender pendants and small pillars.
A frog-topped ring, ram’s head, bell, fish, bird and several inscribed gems fill a numbered comparative page.
Numbered figures and portable objects fill a comparative plate captioned Etruscan, Greek, Roman, and Oriental Talismans.
Crosses, rings, inscribed bands and small pendants share a numbered page.
Five-pointed and six-pointed stars appear beside triangular, circular and rectangular inscribed forms.
A large concentric pentacle bears Alpha et Omega at its centre beneath a heading naming the Sun and Sunday.
Four circular devices occupy separate compartments beneath handwritten descriptions.
A large lettered pentacle occupies the upper half of a manuscript page headed for Mars and Tuesday.
A concentric pentacle is headed for Mercury and Wednesday, with Alpha et Omega written across its centre.
A large ringed pentacle for Jupiter and Thursday appears above two smaller devices.
A large pentacle headed for Venus and Friday stands above two smaller lettered circles.
A large concentric pentacle headed for Saturn and Saturday fills the upper portion of a handwritten page.
Concentric bands of letters surround the word Schadde, while radial divisions organise the outer circular field.
A six-by-six grid of numbers appears above two contrasting linear signs.
A nine-by-nine number grid fills the upper portion of a tall comparative diagram.
A five-by-five number grid stands above a looping sign with circular terminals and a more angular device beside it.
A seven-by-seven number grid fills the upper field above two small linear devices.
Nine numbers occupy a three-by-three grid above two linear signs with small circular terminals.
Three groups of number squares and line-based seals occupy the page beneath the corresponding planetary signs.
Two rows of numbered grids sit above a row of star-filled circles, each enclosed by its own inscription band.
Rows of circular seals enclose crosses, letters and small geometric signs.
Six circular seals contain inscriptions and small symbolic marks.
A deeply modelled face fills the upper centre above a round seal bearing a standing female figure.
A woman with short curled hair wears a light gathered dress with flowers at the shoulder.
A crested warrior carries a round shield, a long weapon and a cluster of feathered ornaments.
A low rectangular structure with decorated side panels rises behind a central flight of steps.
A stylised human profile emerges from curling stone ornament on a wall.
A narrow vertical carving combines faces, curling forms and a large projecting headpiece.
A human figure rests on bent arms with knees raised and head turned towards the viewer.
Broad steps lead to a dark doorway between carved columns and richly decorated walls.
A feathered human form fills a densely carved vertical panel with a large curved lower border.