Discover historical illustrations by subject, artist and book.
Creation and rebellion in Blake’s illuminated plates.
Norwegian fairy tales illustrated by Kay Nielsen.
Four colour drawings from a 1908 Gnostic text.
From the dark wood to Paradise with Gustave Doré.
Ethelwynne Quail’s visions of the spirit world.
Art Deco studies of fear by John Vassos.
96 illustrations
A celestial carriage descends toward the house where the bamboo-cutter's adopted daughter, Kaguya, waits with her attendants.
A radiant sun shines above a crowned lion, a child and a robed figure carrying a flowering branch, beside a fire-headed companion.
A fierce snowstorm drives Olaf Jansen and his father northward among the icebergs, threatening to capsize their fishing sloop.
Olaf and his father notice a persistent dull-red light ahead of their sloop and first take it for a mock sun or mirage.
A boat from an enormous ship brings six sailors to Olaf Jansen's becalmed sloop near a forested riverbank.
Olaf and his father are received by the Great High Priest, ruler of the inner continent, in a hall described as gold and jewels.
During their tour of the inner continent, the travellers encounter a vast herd of elephants tearing branches from giant trees.
On the attempted return through the southern opening of Emerson's inner world, Olaf's father warns of an immense white obstruction ahead.
Two unclothed figures stand beneath a large winged presence and a radiating sun.
Mazumdar gives the descent of Ganga the stillness of a close portrait.
The dark wings cut across a luminous atmosphere, directing the eye towards the world beneath them.
The visitor appears as a bright figure beyond the shaded foreground, while the human pair turn towards the approaching shape.
The foreground reptiles lie close to the water, their heavy bodies contrasting with the small birds in the sky.
A long-haired woman leans into a stream beside reeds and a wooded bank, holding the traveller beneath the water.
Four rows align principle, cause, effect and ultimate with Tao, God, Creation and Use.
Two groups of lettered circles are linked by dotted routes beneath three lines labelled as formless planes.
A central mineral axis meets branching lines for the descent into matter and re-ascent of spirit.
A robed figure stands above a vast company of skeletal and partly restored bodies in a rocky hollow.
Streaks of light cut across a dense dark sky above crowded buildings and a turbulent foreground.
People and animals struggle among deep openings and fractured blocks of earth below a distant hill.
A wooded rock formation rises above a stream beneath a low evening light.
A winged figure sits upon a rocky shelf under a densely worked canopy, overlooking a small standing person deeper in the wood.
A luminous procession of winged figures crosses a high ridge while two human bodies bend low upon the foreground rock.
A sun occupies the centre of a circular arrangement of signs and compartments.
Three women gather around the thread of life in a reproduction of Paul Thumann’s Three Fates.
A crab occupies the centre of a gridded star chart, with a lion to the left and paired human figures towards the upper right.
A ram stands in dark profile with the Aries sign marked on its flank.
A bull leaps sideways with its legs lifted and the Taurus glyph placed on its flank.
Two human figures sit back to back, each holding a long staff.
A centaur draws a bow above the forward movement of its horse body.
Two travellers stand within a steep rocky opening while a pale winged figure rises beyond them.
A seated figure holds a staff beneath a long curved scythe blade.
A reclining female figure follows the inner curve of a large crescent moon.
A large lunar disc is filled with craters, ridges and broadly shaded regions.
A long line of robed figures passes beside dark trees and low water, their bodies lit against the shadowed wood.
Three disembodied heads combine human profiles with sharply extended features, pointed hair and flame-like tufts.
Two richly dressed readers sit close together beside a tall window, a book resting near them as one leans toward the other.
A robed guide extends his arm toward a three-headed beast while Dante stands behind him among bodies lying in the wet ground.
A large concentric pentacle headed for Saturn and Saturday fills the upper portion of a handwritten page.
Concentric bands of letters surround the word Schadde, while radial divisions organise the outer circular field.
The Earth sits at the centre of twelve radial compartments, with zodiac signs around the outer circle.
A dark kneeling traveller looks toward winged figures in the clouds beside a standing woman.
A woman whose broad body takes the form of a globe holds a small child at her breast.
A sower steps across a field scattering small round forms from a basket at his side.
A small traveller stands before an immense curling black rock or tree form.
A woman bends forward beside a group of children in a domestic interior.
A broad fireplace occupies the back wall of a low-ceilinged room.
A hooded skeleton holds an hourglass and rests a long scythe against its shoulder.
48 of 96 shown